Rockinghorse is a perfect example of the phrase batshit insane. I began reading this book about two months ago, and it started off pretty well. A married New York couple with two kids head to a small town in Georgia for the summer to vacation in the mansion the husband, Lucas, had inherited from his rich grandmother. Owing to the grandmother’s wealth, the estate has been in perpetual care with an on-site caretaker, the will stipulating the house can never be sold. As a child, Lucas was always afraid of the place, as well as his grandmother, and had a better relationship with his grandfather. His insane brother, Ira, has been institutionalized for life.
The family settles in and soon enough, weird things start happening. A lot of weird things. There’s Lige, the white trash caretaker who’s done no caretaking but banked all the money he’s been sent, who turns out to be Lucas’ insane brother — or not. There’s an old wooden rockinghorse that moves on its own. Funky smelling prehistoric wood creatures, we’re later told, are just harmless Bigfoots. There’s wood dwelling magical spirit children, and witchcraft practicing college professors on sabbatical who live down the road. And we can’t forget the enclave of Satanists, who are part of a worldwide conspiracy, but for some reason are headquartered in some jerkwater southern town. The family is befriended by one of the local deputies, whose wife happens to be psychic. This story doesn’t just throw in the kitchen sink, but the stove, fridge, and drywall as well.
The rockinghorse is alive, and pure, satanic evil. Even when it’s seemingly destroyed, whether shot, burned or beaten, it comes back, good as new. Eventually, it even starts talking. Somehow, I don’t think I’m supposed to break out in hysterics when reading a horror novel, especially during a supposedly tense and terrifying scene. Yet I did, and it was so absurd, I had to stop mid-scene. I couldn’t stop laughing.
Even more characters are thrown into the mix when several friends from New York come to visit, kids in tow. I gave up trying to remember who was who at this point, to say this book is overpopulated is an understatement. Some gruesome deaths and after-effects of torture are graphically described, but what’s more disturbing is at least three female characters, including a thirteen-year-old girl, are raped, but they shake it off like they merely suffered a paper cut. Fortunately, those assaults are barely described, and one happens off-page.
The book goes even more off the rails, with the house starting to breathe, moan, and read people’s minds. Dismembered and preserved body parts in the basement start coming to life, and the two main kids suddenly develop telepathic powers and can communicate with the semi-psychic professors. We also find out it wasn’t crazy brother Ira masquerading as Lige the caretaker, Ira was really friendly Jim from the gas station — surprise! — especially since there was a scene showing Jim dying a slow, agonizing death. It was really a hapless hitchhiker, but hey, wasn’t that a cool fake-out? No, no it wasn’t, you hack, and it wasn’t the first time you pulled this kind of thing.
With 83% left, I skimmed, quickly, then eventually jumped to the end, because I couldn’t take anymore. For some reason the state police show up and are drawn into the apocalyptic God vs. Satan, good vs. evil death match in Podunk, GA. Who wins? Who cares.
Despite being a fast read, it was a lengthy and exhausting one, I had to take breaks because there was too much to keep straight. It would have been much better had the author stuck to a few basic ideas; the house, the possessed toy, the crazy brother. Johnstone cranked these things out pretty regularly for Zebra books back in the ’80’s and ’90’s; assembly line, gonzo fiction, probably geared to the tween and teen crowd, say 10 to 15 year olds.
Started off decently, but collapsed under its own weight and unfocused absurdity. A risible *1/2 out of 5.